Listening to ESH's 'Live In Dublin' from 2003, it's a terrific snapshot of the band in that era and at that moment. The set is mostly based around tracks from the three releases they had put out in 12 months, but there's many signs of their dynamic approach to electronic pop on show and also a pitch perfect vocal from Aidan.

Listening to ESH's 'Live In Dublin' from 2003, it's a terrific snapshot of the band in that era and at that moment. The set is mostly based around tracks from the three releases they had put out in 12 months, but there's many signs of their dynamic approach to electronic pop on show and also a pitch perfect vocal from Aidan.

Listening to ESH's 'Live In Dublin' from 2003, it's a terrific snapshot of the band in that era and at that moment. The set is mostly based around tracks from the three releases they had put out in 12 months, but there's many signs of their dynamic approach to electronic pop on show and also a pitch perfect vocal from Aidan.

Listening to ESH's 'Live In Dublin' from 2003, it's a terrific snapshot of the band in that era and at that moment. The set is mostly based around tracks from the three releases they had put out in 12 months, but there's many signs of their dynamic approach to electronic pop on show and also a pitch perfect vocal from Aidan.

Meet the new 2020 year with a compilation of the best records that set the mood, made us dance, stretched our faces in smiles and were faithful companions in our players all 365 days. The tested set is supplemented by two fresh tracks, including Russian-language and very relevant on the New Year holidays "Morning Fresh" by Boris Golik. #Triori